My name is Dave Herndon, ever since my homeworld of Gallifrey was time locked I've been just travelling the cosmos, then they invented comic books, and cartoons. Now I run this blog and talk about nerdy things whenever I can. No matter what happens, if you stoke me a clipper, I'll be back in time for breakfast.
Tuesday, February 5, 2013
Monday, February 4, 2013
24th Annual Motor City Comic Con welcomes a Great Galaxy of Comic Stars for 2013
Novi,
Mi: Now
in its 24th year, Motor City Comic Con is one of the fastest growing
Comic Conventions in the United States! MCCC’s singular mix of stellar
Comic world luminaries, as well as a glittering array of iconic TV and film
stars and fan favorites from the World of Wrestling, has made it a sprawling
celebration of Pop Culture and a destination event for fans from across the
region. The dazzling array of Comic talent heading for Motor City Comic Con in
May far surpasses any previous Michigan show. In addition to the iconic
creator Stan Lee, Motor City Comic Con 2013 is also very
pleased to welcome:
George
Pérez:
In his more than 38-year career, Mr. Pérez has been involved with many of the
industry’s landmark publications. With writer Marv Wolfman, Mr. Pérez created
The New Teen Titan, which helped bring DC Comics back into competitive
prominence during the 1980’s. The team struck gold again when they redefined
the entire DC Universe in the hugely successful Crisis On Infinite Earths and
its follow-up History Of The DC Universe. Pérez had two enormously successful
runs, almost two decades apart, on The Avengers and attained great personal
success as writer and artist for the 1980s re-launch of Wonder
Woman. www.george-perez.com
Don
Rosa: Well
known in American comics fandom since the 1960’s for his vast comic book
collection and fanzine writing & cartooning, Rosa became internationally
famous starting in 1987 when he began writing and drawing “Uncle $crooge” and
“Donald Duck” comics for various licensed publishers in Europe. Just as they
once were in America, Donald Duck comics (based on Carl Barks’ work) continue
to be the best selling comic books in Europe and South America where the
*weekly* Duck comics have been read by hundreds of millions of fans for over 60
years. This makes Rosa one of the world’s best known and most popular
cartoonists, but still very easy to visit with at American shows where he can
relax in “relative obscurity”. American comics fans are mostly familiar with
his most famous and oft-reprinted work, the Eisner Award winning “Life and
Times of $crooge McDuck” series.
Ryan
Stegman: Michigan’s
own Stegman is best known for his work on Marvel Comics characters including:
Fantastic Four, SCARLET SPIDER, Amazing Spider-Man, SHE-HULKS, and X-23.
Katie Cook: Cook is a comic book artist and writer that has
worked on Star Wars, Marvel, Jim Henson projects and more! she also is the
creator behind the popular webcomic ‘gronk: a monster's story’ and writer of
the My Little Pony: Friendship is Magic comic book. www.katiecandraw.com.
David
Lloyd: Lloyd
started working in comics in the late 1970s, drawing for Halls of Horror, TV
Comic and a number of Marvel UK titles. With writer Steve Parkhouse, he created
the pulp adventure character Night Raven. Lloyd has also worked on Espers, with
writer James D. Hudnall, for Eclipse Comics; Hellblazer, with writers Grant
Morrison and Jamie Delano,and War Story, with Garth Ennis, for DC; and Global
Frequency, with Warren Ellis, for Wildstorm. With Delano he also drew The
Territory for Dark Horse, where he has also worked on some of their licensed
properties like Aliens and James Bond. He has also created a graphic novel,
Kickback, for French publisher Editions Carabas. www.lforlloyd.com
Mike McKone: McKone's first published works for the major companies included DC Comics' Justice League of America and Justice League International for DC Comics and The Punisher War Zone for Marvel Comics. However, it was his work on Marvel's Exiles which brought him instant attention, and led him to work on two of DC's Teen Titans and Marvel's Fantastic Four. McKone is currently penciling Avengers Academy for Marvel Comics.
Tom Raney: Raney is best known for his work on such series as Annihilation Conquest, Alpha Flight, Ultimate X-Men, Uncanny X-Men, DV8, Stormwatch, and Outsiders. Recent work includes the limited series Dark Reign: Hawkeye, with writer Andy Diggle. http://tomraney.blogspot.com
Don
Rosa: Well
known in American comics fandom since the 1960’s for his vast comic book
collection and fanzine writing & cartooning, Rosa became internationally
famous starting in 1987 when he began writing and drawing “Uncle $crooge” and
“Donald Duck” comics for various licensed publishers in Europe. Just as they
once were in America, Donald Duck comics (based on Carl Barks’ work) continue
to be the best selling comic books in Europe and South America where the
*weekly* Duck comics have been read by hundreds of millions of fans for over 60
years. This makes Rosa one of the world’s best known and most popular
cartoonists, but still very easy to visit with at American shows where he can
relax in “relative obscurity”. American comics fans are mostly familiar with
his most famous and oft-reprinted work, the Eisner Award winning “Life and
Times of $crooge McDuck” series.
In 2003 Kalman co-created and illustrated the comic book series iCandy for DC. From there he has gone on to freelance extensively for Marvel, DC, Image Comics, Top Cow and BOOM! Studios. He's produced art and covers for such titles as Spider-man, Action Comics, The Punisher, Captain America, Fantastic Four, Dazzler, NYX, X-23, Tomb of Dracula, Checkmate, and Gi Joe. He's currently the regular cover artist on X-Treme X-Men for Marvel. www.iamkalman.com.
The
24th annual Motor City Comic Con is May 17-19, 2013 at the Suburban
Collection Showplace in Novi, MI. A complete list of guests, plus exhibitor,
sponsor and ticket information is available at
Sunday, February 3, 2013
Why I won't eat at Applebee's
No, I'm not boycotting them because they fired someone, it's the company's right to hire and fire as they see fit. I won't be eating there again because of a poor night out a few weeks ago.
I took my mother to the local Applebee's in Toledo for her birthday on Jan. 4. Mom had never been to an Applebee's before, and I hadn't been in there in a while myself. The place was relatively busy, but not too overcrowded. We were seated within 5 minutes of getting there.
They took forever to take our order though, and more than 45 minutes after we ordered to deliver our food. Both of us had ordered a rare steak. I mean come on how long does it take to "not" cook a steak?
All the while, the waitress didn't come back to our table, neither of us was offered a drink refill. When we finally did get our food, it took another five minutes before we could start eating, as they hadn't given us any silverware. Apparently they were out.
The steak was ok, but we had both told the waitress that we didn't want the mixed vegetables, yes this is getting a bit nitpicky, but they were provided anyway, complete with the juice that puddled on the plate, and sloshed onto the steak, making a few bites taste like broccoli. Normally not something I'd complain about but with all of the other things, it bears mentioning.
On the "bright" side they did provide a free milkshake for mom with it being her birthday. The problem with that being that she told them she didn't want it, and is diabetic.
Overall we spent about $40 on a meal that turned out to be average at best, and an experience that was terrible. That's why I'll not return to any Applebee's Restaurant, not because they fired a waitress for violating a company policy, no matter how stupid that policy is.
I took my mother to the local Applebee's in Toledo for her birthday on Jan. 4. Mom had never been to an Applebee's before, and I hadn't been in there in a while myself. The place was relatively busy, but not too overcrowded. We were seated within 5 minutes of getting there.
They took forever to take our order though, and more than 45 minutes after we ordered to deliver our food. Both of us had ordered a rare steak. I mean come on how long does it take to "not" cook a steak?
All the while, the waitress didn't come back to our table, neither of us was offered a drink refill. When we finally did get our food, it took another five minutes before we could start eating, as they hadn't given us any silverware. Apparently they were out.
The steak was ok, but we had both told the waitress that we didn't want the mixed vegetables, yes this is getting a bit nitpicky, but they were provided anyway, complete with the juice that puddled on the plate, and sloshed onto the steak, making a few bites taste like broccoli. Normally not something I'd complain about but with all of the other things, it bears mentioning.
On the "bright" side they did provide a free milkshake for mom with it being her birthday. The problem with that being that she told them she didn't want it, and is diabetic.
Overall we spent about $40 on a meal that turned out to be average at best, and an experience that was terrible. That's why I'll not return to any Applebee's Restaurant, not because they fired a waitress for violating a company policy, no matter how stupid that policy is.
Thursday, January 24, 2013
'Star Trek' director Abrams to helm Star Wars VII
A
not so long time ago, in a theater in a nearby city …
It
was a period of great joy for fans of “The Force.” Specifically
it was the summer of 1997, the 20 year anniversary of the original
launch of the “Star Wars” franchise, all three films that had
been made to date were getting re-released theatrically, I was in
the summer between sixth- and seventh-grade with not a lot going on
other than junior high school football practices.
I
had yet to be introduced to Star Wars, I wasn't yet the nerd I would
become. That summer changed my life.
I
got to see each of “A New Hope,” “The Empire Strikes Back,”
and “Return of the Jedi” for the first time, in a movie theater
in Toledo.
I
went from being a casual fan of cartoons to being a huge science
fiction fan, regardless of the format. My love affair with Star Wars,
and by proxy George Lucas films was kicked into full force.
Fast
forward two years, I'm a freshman in high school, “The Phantom
Menace” is released for the first time. At the time I didn't hate
it, and I still don't entirely – please don't hate on me my fellow
forcelovers. I was young and naïve.
I
tell you the back story of my love for that galaxy far, far away so I
can talk about recent events in said galaxy. I've seen nearly
everything Star Wars related in the more than 15 years since then,
from the animated Ewoks and Droids cartoons to the boot-leg copy of
the never released holiday special.
A
few months ago, George Lucas decided to officially retire and he sold
his company, along with the rights to the franchise – to the evil
empire known as The Walt Disney Company – I was shocked, it took me
days to form an opinion on what it meant.
Finally
I decided that if he were truly done, that at least someone would get
to continue on with the characters, locations and other iconic
imagery from the universe as a whole. Plus since Disney had already
bought Marvel Comics and their relate characters, maybe there would
be some cool crossover toy lines, video games or other items.
Of
course in the days, weeks and now months since the sale, and Disney's
near immediate announcement that they were moving forward with a
seventh live-action film. That spawned millions of rumors of what the
plot would be, who would be in the movie, and more importantly who
would be the director.
That
question was answered recently when it was announced that JJ Abrams,
a self-admitted fan, would helm the picture.
Generally
I'd be ecstatic, I've long been a fan of Abrams, and haven't disliked
any of his projects that I've seen. However there is one major flaw
with this. Abrams wrote and directed the Star Trek reboot in 2009, as
well as it's sequel “Star Trek: Into Darkness,” which is out this
year.
It's
one thing for a bit-part actor to play in both universes, but its
blasphemy to have one man direct a movie for both franchises.
I'm
at once both outraged, and excited. We as fans (admittedly I'm also a
Trekker, but Shh...) can't allow this to happen, yet I wonder what
he'll do, and how it'll be done.
So
once again I'm in a quandry about what to think about the future of
the franchise. More importantly if he's working on the next Star Wars
film, he can't be working on the third installment of the Star Trek
rebooted series, which is my biggest problem with the whole
situation.
Wednesday, January 23, 2013
Weekly comic book report 1/23/13
Sunday, January 20, 2013
Friday, January 18, 2013
DC comics inspired Kia’s on display at North American International Auto Show
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| The Green Lantern inspired Kia Soul is on display at the North American International Auto Show. The car will eventually be auctioned off for the “We Can Be Heroes” campaign. Photos by Dave Chapman |
The companies paired up to create eight, one-of-a-kind vehicles to help get the charity’s message out. The vehicles, each a different model from Kia, sport characters from “The Justice League” comic books. Two of those cars are on display this week at the North America International Auto Show in Detroit.
The cars will eventually be auctioned off, with the money going to support the charity.
Each vehicle contains the custom artwork of legendary comic artist Jim Lee, who also is the co-publisher of DC Comics.
“It was a thrill to see custom cars based upon my Justice League artwork and sketches,” Lee said in a statement. “I have to tip my hat to the teams at West Coast Customs, ‘Rides’ and ‘Super Street’ on their innovative work creating cars that represent iconic characters like Green Lantern, Cyborg, Aquaman and The Flash — all to benefit a great cause.”
The cars that are on display in Detroit include a Green Lantern inspired Soul and a Batman inspired Optima.
A custom rear cargo compartment houses the Green Lantern power battery, with his signature lantern logo etched into a clear panel displaying the superhero’s oath lit by LEDs. The rear deck also holds a video monitor to display the “We Can Be Heroes” promotional video. Up front, the Soul’s steering wheel and front seats were reupholstered with green and black leather and include the Green Lantern logo stitched into the seat backs. Other interior touches include various dash pieces painted in the green and black scheme.
The Optima sports a matte- and piano-black paint scheme, a dramatically lowered coilover suspension and muscular ground effects kit, huge Ksport performance brakes for extreme stopping power, custom-designed 20-inch black wheels with one-of-a-kind Batman-logo center caps and a performance exhaust system. Other exterior modifications include a custom front grille shaped like a batwing that took more than 40 hours to create, yellow LED lighting accents throughout the vehicle and the iconic bat signal etched into the SXL’s HID headlights.
.
Moving
beneath the cape, the Optima’s seating surfaces are covered in custom
black leather and suede with bold yellow accent stitching. Gotham City’s
streets — the place that Batman calls home — are full of villains,
and this Optima is ready for action at a moment’s notice with
crime-fighting elements like utility throwing stars installed in the
center console.The other cars in the fleet include a Cyborg inspired Forte, an Aquaman inspired Rio, and a Flash inspired Forte Coupe.
There are three cars in the fleet yet to be unveiled. They are set to feature Superman, Wonder Woman and a special vehicle with all seven members of the team.
“We are proud to be raising awareness for the ‘We Can Be Heroes’ campaign and look forward to unveiling three more crime-fighting Kias at future auto shows,” said Michael Sprague, executive vice president of marketing for Kia.
We Can Be Heroes supports the efforts of three humanitarian aid organizations working in Africa — Save the Children, International Rescue Committee and Mercy Corps — as part of the global effort to fight the current hunger crisis in the Horn of Africa. The region is suffering its worst drought and famine in more than 60 years, with 13 million in need of critical assistance.
For more information on “We Can Be Heroes,” visit WeCanBeHeroes.org.
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